Papa Joe Errington
Joe errington trumpet jazz papa gue
THE RIVER CITY JAZZMEN
Newcastle Upon Tyne - United Kingdom
Joe started playing with the the River City Jazzmen in the early 60's. Here's the story about RCJ (text from Just Jazz International Magazine) - Thanks Gordon!
Part 1
River City Jazzmen 1955
The RCJ was formed in 1955, making this year, 2005, the 50°’ anniversary for the band. To the best of my knowledge only two other bands have played together continuously for this length of time - the Chris Barber band, of course, - and the Merseysippi band from Liverpool. The story actually began in 1953 at Max Share's music shop in Percy Street, Newcastle-upon-Tyne. In an effort to interest young people in music, (if only it would happen today!) Max had formed a weekly harmonica club in a room above his shop. It was here that three youngsters, Ray Shenton, Herbie Hudson and Harry Stevenson met up and decided to set up a harmonica trio which they called the Harmonica Hoodlums! The boys got quite a lot of work, and in 1954 they were invited down to the Lime Grove Television Studios in London to appear on an early talent show called “All Your Own” which was presented by Huw Weldon. Following this they did regular radio broadcasts in the North of England until, with the addition of three more keen friends, they decided to form a traditional jazz band, hence the River City Jazzmen were born. The band was an immediate success with the quickly growing number of jazz followers. The personnel changed slightly at this time but soon settled down to a stable unit made up of John Potts - Trumpet, Herbie Hudson - Trombone, Harry Stevenson - Clarinet, Colin Hopper – Banjo, Ray Shenton - Tuba, Brian Sanson - Drums. Shortly after this Ray Shenton’s brother Joe joined on washboard giving the band a very distinctive sound. Joe also took over as band manager and later proved himself to be an ideal front man for the band. This group became very popular and usually played 5 to 6 nights a week at venues all over the North, -- there were many thriving clubs in the area at that time such as the Royal Arcade , the New Orleans Club and the Downbeat in Newcastle, and the likes of the Coatham Hotel in Redcar and Baileys in South Shields. Obviously there have been personnel changes over the years, and the sound of the band has changed , but it is still going strong and is fortunate to still have a good number of loyal followers. During 1980 clarinetist Bruce Bakewell joined, and his lovely New Orleans style was much appreciated. Bruce later played and recorded with Ken Colyer. Also, at this time, trumpeter Joe Errington, now with Papa Bue in Denmark, was with the group and stayed for many years. Probably the most famous musician to play with us was a certain Gordon Sumner, known nowadays as Sting. Sting had played bass with trombone player Gordon Solomon for 12 months in 1973 in two earlier bands, the Phoenix Jazzmen and the Newcastle Big Band, and when Gordon left to join the RCJ Sting followed and helped out for a few gigs.
River City Jazzmen Newcastle Upon Tyne 1983
Gordon Solomon - Trombone
Joe Shenton - Washboard
Malcolm Armstrong - Piano
Dave Hedley - Vocals
Billy Brooks - Bass
Joe Errington - Trumpet
Mike Wakefield - Drums
Bruce Bakewell - Clarinet
River City Jazzmen
Winners 1984
Breda International Jazz festival Holland
Left to Right
Gordon Solomon - Trombone
Joe Shenton - Washboard
Joe Errington - Trumpet
Stan Martin - Clarinet
River City Jazzmen Beamish 1982
Left to Right
Dave Hedley - Vocals
Gordon Solomon - Trombone
Malcolm Armstrong - Piano
Stan Martin - Clarinet
Mike Wakefield - Drums
Joe Errington - Trumpet
Joe Shenton - Washboard
Billy Brooks - Bass
Part 2
It was in fact Gordon Solomon who first coined the nick-name Sting,-- due to Sting’s insistence on wearing a striped yellow and black rugby shirt on stage, making him look like a large wasp! Some years later, around 1980, after he had hit the big time, Sting and the RCJ got together in the recording studios to record a number he had composed called Moon over Bourbon Street. The idea was that it would be one of the tracks on his new LP. However, the powers that be decided that a traditional jazz band sound was not appropriate and the number was recorded again using modem jazz players in the USA, -- a pity for us! It was during 1980 that the band started to tour in Europe, and several trips were made, especially to Holland where they played most of the major festivals and built up a large following. By this time singer Dave Hedley had joined, making the band an eight piece, and his contribution did a great deal for the popularity that they enjoyed at this time. Apart from being a hugely likeable man, Dave’s timing and superb sense of humour, and the fact that his voice was likened by many to the great Jimmy Witherspoon, meant that he was much acclaimed by the audiences. Unfortunately Dave passed away in 2001 and is sadly missed by all his friends. In 1983 the RCJ entered the International Jazz Competition in Breda, Holland and competing against 120 bands from all over the world, including Australia, Argentina and South Africa, was fortunate enough to win the much valued first prize. ln addition, our then clarinetist Stan Martin was awarded the prize for the best individual musician of the festival. These successes did a lot for the profile of the band, and farther offers from abroad and the UK started to appear. The local television station Tyne Tees Television also became interested and several appearances were made, - on one occasion we backed entertainers Dickie Henderson and Maggie Moon in a storming session which carried on long after the cameras had been switched off. The band also found itself in demand when professional musicians were touring the area and needed a backing group, — too many to mention here, the total number exceeds 35, but memorable nights were had with Champion Jack Dupree, Wild Bill Davison, Don Ewell, Doc Cheatham, Big Eye Louis Nelson , Pat Halcox, Roy Williams, John Crocker and many others. Gordon Solomon 2005
Part 3
In the trumpet chair is Ray Harley. Ray learned his trade in the City of Coventry band before playing in the Mecca and Top Rank dance bands of the period. He became a devotee of small band jazz in 1990, playing in bands around Teeside, and has appeared in the Sacramento Jazz Festival on two occasions. ln 2001 Ray won the BBC Radio 2 Musician of the Year award for his playing in the Radio 2 big band competition with the Hartlepool based band, Musicians Unlimited. He joined the River City in 1996. Our clarinet and sax player is Bill Smith. Bill started gigging around Kettering in 1945 and moved up to Sunderland in the early 1950’s, where he played with Roy Fox and the Don Smith band. Bill first appeared on the Newcastle jazz scene in the mid seventies, playing with the Saratoga Jazzmen. He joined the River City in 1986 and has remained with them ever since. Bill also plays with the Darlington Saxophone Quartet, a favourite of his. The youngest member is Keith Stephen on banjo and guitar. He started off at 16 on bass guitar at school, then whilst at Wolverliampton Poly took up banjo and guitar before moving up to Newcastle and joining Brian Carrick’s band in 1991. He also played for some years in Marilyn Middleton Pollocks Chicago Hoods and finally became a permanent member of the River City in 2000. Keith is also a keen advocate of the music of Django Reinhardt and formed his Gypsy Jazz group which includes other members of the River City in 2003. He is also a constant member of the Lake Records All Stars run by Paul Adams. On Bass we have Bill Brooks, who has been interested in jazz since the age of eight! Bill started off by taking piano lessons, then later took up guitar and banjo. He played around the North East for a time until taking up the double bass in 1961 to join the Vieux Cane Jazzmen, staying for ten years. There followed a spell in the Saratoga Jazzmen before joining the River City in 1978. Bill regards himself privileged to have backed some of the best British and American jazz musicians over the years. Our drummer and vocalist is Fred Thompson. He first got involved with jazz in 1958 helping out on drums with various north-east bands, and has been kept busy doing mostly trio and quartet work over the years. He first tried singing in 1967, and, in his own words, “when nobody complained I just carried on”! Fred joined the band in 2001. Trombone player and leader of the band is Gordon Solomon. Like Bill Brooks, Gordon has been interested in traditional jazz from an early age, listening to his cousins large collection of records from the age often. He formed his first band while still at Grammar school in 1962 then joined the Pheonix Jazzinen in 1965, until leaving to join the River City in 1975. He also was one of the founder members of the infamous Newcastle Big Band, in which he played for four years. Gordon’s favourite bands include George Lewis and Wilbur de Paris. So what of the future? It is slightly depressing that, certainly in the North-East of England there seems to be no up and coming young musicians willing to listen to and learn to play traditional jazz music, regardless of whether it is New Orleans based or otherwise. I personally wonder where the bands will be in say ten years time, - lets all hope that there will be another revivalist upsurge as there was in the 1940’s.
Gordon Solomon 2005. POST SCRIPT The band has been struggling to maintain a permanent membership for some time now, and this has meant that rehearsals and therefore playing arranged numbers had almost ceased. In fact most of our performances were basically “Jam Sessions”, and we all agreed that it was becoming difficult to keep up our enthusiasm. Combined with the fact that I found that blowing the trombone was becoming increasingly uncomfortable due to a hiatus hernia problem (something I’ve had all my life but not as bad as this!) I thought that it was wise to cease playing for the time being. I would certainly hope to get back into the local jazz scene sometime in the future.
-- Gordon Solomon